Museum of Material Memory

When an object has witnessed Partition, it ceases to be ordinary. In the case of my maternal grandparents, these objects were a framed portrait of my nana, his personal diary, and a silver drinking bowl. A photograph of my nani, Razia Ummul Baneen, holding her first born, my uncle, in her arms. The family also carried a folding wooden chair, a sewing machine, its table and motor, some clothes, and a tarazu. All these made the journey from Delhi to Karachi.

February 1, 2026

Between Stylus and Silence- The De Family Gramophone Records

Heirlooms

I imagine my great-grandfather, Dr. R. C. De, standing in some provincial town in France during the First World War, choosing this gramophone in a shop filled with the shimmer of brass horns and the solemn promise of music, at a time when Europe was learning the sound of death.

January 25, 2026

Shajara-e-Nasab: The Bahl Family Tree

Documents

I told Daddyji that we found something that looked like a family tree. He unfolded it, leaned forward, adjusted his glasses, and read aloud in his soft Punjabi-inflected voice: “Shajara-e-Nasab, Bahl Baradari, Qasba Urmar, Zilla Hoshiarpur.” The words came easily to him, as though they lived somewhere familiar in his mouth.

January 12, 2026

Sarat Chandra Chatterjee’s Burmese Crocodile

Art

I have seen the wooden crocodile crouched under my mother’s cousin’s shelf for several years now. This Burmese crocodile can be traced back to Sarat Chandra Chatterjee – the renowned literary figure whose contributions to Bengali literature have been immense, most notably Devdas – who spent years living in Burma, working as a clerk.