In 1960, Shashi Kapur, a young woman in her early 20s placed an order with a leather worker in Mandalay for a handcrafted leather purse, along with a request to have her name engraved on the inner flap, complete with the title yet to be earned: Dr. Shashi Kapur.
This vanity set of four included an oval-shaped mirrored tray, a powderbox, a photo frame and the ittardan, all made by an American brand called ‘Stylebuilt’, which rose to popularity first in the 60’s, with its signature metallic gilding.
It is an incredible thing for an inanimate object like a dupatta to reveal so much about a family’s history. To become the fountainhead of memory, that leads to the unearthing of so many long-forgotten tales. Part of bhabhji’s trousseau from 91 years ago, it is still used today.
Rajkumari Devi had embroidered this map for a school competition in the year 1948 when she was only 8 years old. Her school in Amhara, Bihar was visited by some British officials, who awarded her 10 annas for the extraordinary embroidery she had done, despite her young age.
My aunt, Neelam, tells me that this silk banarasi saree had been a gift to my grandmother, Chandrika Devi, from my grandfather’s side and she wore it at her bidai, when she left her father’s home for her husband’s. It is a Gulabi pink colour and has been woven in the finest banarasi weaving technique – Kadhua or Kadwa, which means kadha hua or embroidered
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