It’s been almost two decades since I first grew curious about a locked cabinet in my parent’s dresser. Inside it, stacked horizontally, lay an intriguing collection of Bangla literature, almost all of them dated 1973 along with short handwritten notes on the title pages. The books ranged from Tagore’s seminal literary treatise, Sahityer Pathe, to Gour Kishore Ghosh’s 1969 revolutionary drama, Sagina Mahato.
Brass crockery may be found in almost any South Asian household, but this particular pitcher, surahi and glass set were a part of my grandmother’s trousseau, along with other ornamental utensils such as decorative trays and silver cutlery.
I could not contain myself as I ran my hands over the print. Imperial Bank of India – Srinagar, Kashmir. The last set of cheques were dated from October till November 1947. I hold on to the cheque book like a medal of honour. I continue to tell the story of how it came into my possession and the significance of its last cheque entry.
In 1894, my great-grandfather married my great-grandmother, Radhika Sinha, originally from Lahore, and in the early 1900s, they went on a trip to Kashmir. It was here that they bought several ornate items that have built this coveted heirloom collection, including the silver Kangri engraved with the Kashmiri chinar.
The silver mukut, like most of the accessories for my grandparents’ wedding in 1937, was crafted in Lahore. It consists of five panels bearing the images of the Hindu deities Brahma, Durga, Ganesh, Vishnu and Shiva respectively.
A farshi is a long voluminous garment that generously falls to the ground, and when standing or walking has a long train. The word farshi comes from ‘farsh’ or the ground/floor, which the garment trails on. This particular garment was carried from Panipat to Lahore and eventually to Sahiwal a few months after Partition.
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