These beaded dogs were made in my grandmother’s natal home in Chabua, a small town in upper Assam, sometime in the late 1960s, most certainly before 1968, the year my grandmother, Shushila Devi Lohia, got married.
The cupboard is a tall and narrow one, measuring 6 feet in height. It has four shelves inside, and a pull-out drawer symmetrically placed in the middle. The piece was in display in a furniture shop, and the shop keeper enticed him to pick it up. At Rs 200, it seemed a great bargain for a wooden unit claimed to be made of teak.
The Pears Cyclopaedia was first published in 1897. Sold for a shilling, it was originally referred to as “A Mass of Curious and Useful Information about Things that everyone Ought to know in Commerce, History, Science, Religion, Literature and other Topics of Ordinary Conversation.”
In my possession is a manuscript that is now more than a century old, comprising of 300-350 handwritten pages. The name of the book is Sangeet Benode and can best be described as a treatise on Indian Classical Music. Written in Brajbhasha, khari-boli, and Sanskrit, it is a collection of over one hundred original bandishes or compositions in different ragas.
As a part of her trousseau, on her wedding – which incidentally took place during the India Pakistan war of 1971 – my maternal grandmother, Shashi Bhalla (neé Sood) carried a few objects from her mother’s trousseau from Bombay to Delhi. Two of these were later passed on to her daughter, my mother, Sapna Puri, and have now found their way to me. A surmedaani, and an ivory stick used to apply bindi.
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