Omar Khayyam composed this collection of four-line stanza poems, or rubai, as they are known in Farsi, sometime between the late eleventh century to early twelfth century, before he died in 1131. History further made itself known in a personal and intimate way as I read the Bengali inscription on the first page – “To Priti and Dilip Bandopadhyay – on their wedding, 6.6.66”.
Amongst these items was a white cotton mulmul odhni, a large scarf like a dupatta, entirely hand embroidered with chikankari by her grandmother, who was from Lucknow, and presented to her on her wedding day on 29 June 1954. I cannot recall ever being enamored by anything as much as that odhni.
This Kirpan belonged to Shanta Boora, my nani , my maternal grandmother. She always carried this with her.
This photograph had come to my family to discuss our marriage. The next time I saw him to my heart’s content was when I had become Mrs. K.L Gupta. That day I felt that destiny had come to me in the form of this paper photograph to take me on the most beautiful journey of my life.
One such thing is a beautiful Persian carpet, which started its life in Qom where my husband’s grandparents bought it while on holiday more than 50 years ago. In the centre is a medallion, a tradition harking back to early 15th century Persian Manuscript covers. The medallion has four flowers coming off at each corner topped with a palm tree motif.
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